Thursday 23 May 2013

FEEDBACK AS REQUESTED: REVERBNATION BONKERS INSTRUMENTAL (NITUS)

FEEDBACK AS REQUESTED: REVERBNATION BONKERS INSTRUMENTAL (NITUS) 









ARTIST: NITUS
TRACKS: CERTESA, PLOU SOMBRE MULLAT
PLATFORM: REVERBNATION
FANS:N/A
VID PLAYS: N/A
TOTAL SONGS PLAYED: N/A
LABEL: INDEPENDENT
LOCATION: BARCELONA, SPAIN
OTEHRSITES: N/A


[ORIGINAL ARTWORK]

FAN FEEDBACK TO BADGERSTATIC 25/05/13:


I can sense a pushing of the 60’s/70s blues guitar to the limit, much the same way as DJ Shadow did with his AKAI sampler on Entroducing.  I can hear this as a soundtrackto a film or ensemble concept story going on in the background through the melodic choices you switch to between tracks.  

Almost famous?

DJ Krush did something of an ensemble for his 1995 self-titled album but yours is more bare bones. And by bare-bones I mean to say your palette of instruments is simple; blues guitar, bass, cymbals, live drums.  Not much by way of samples, pedal distortionof the FIVE tracks (CLAREDAT, SUPERFICIAL, PLOU SOMBRE MULLAT, CERTESA,SEDIMENT) I mentioned don’t vary that often but again it is in the melodic journey that I think your strength lies. 

Come on then feed me weird things

Which leads me to ask are you using your REVERBNATION upload page as a way to test your subconscious? Or just tohave fun?  I don’t feel any single material here as such. Or underlining clear distinctive track that I can pick out of the many that you do have from memory. And it only by playing the tracks in real-time can I say this feels good, or I would like more of that.  Hence I could see you playing live and getting something of the same reaction SQUAREPUSHER received from a label scout on performing some material that would mutate into what we heard on FEED MEWEIRD THINGS.

Your drumming isrelaxed, free, rhythmic and pulsating in an afro-jazz sense.  Cymbals brisk, sharp and clean. Yourpercussion come through adequately in the total stereo/panning and equalisingmix-down.  At times your blues guitarverge on dramatic especially in tracks as: CLAREDAT, in the mid-section. Almostinto Guns n Roses territory. 

Take it easy on my RL BURNSIDE collection

I think I can hear astory within most of your tracks begging to be told.  When you are in upbeat mood then it can be asolo Slash should step to, but when you are in more free-verse off the rails mode, then your tremolo parts can rival some of My Bloody Valentines, and early Kasabian’s intensity.

OTHER DEMOS TO LISTEN TO:

POP - JOHNNY REI


Rae Burnz






PART 3 THE DRUM AND BASS MASSIVE ATTAXX (ARTISTSERVER/SOUNDCLICK/CLOUD)

THE DRUM AND BASS MASSIVE ATTAXX (ARTISTSERVER/SOUNDCLICK/CLOUD) PART 3


"Your friendship is a fog, it disappears when the wind redirects"
RAGE AGAINST THE MACHINE 96



"I actually know someone who fainted to this track when it dropped at a rave."  
A youtubber describing one of his fellow ravers response to the DnB track: SPLASH - BABYLON 


We have already identified how the DnB scene mainly through Andy C's funny bone-hitting smash Bodyrock brought forth the sellout sound the scene needed to keep itself head above water in PART 1

PART 2 introduced us to the fans-become artists who dared to channel the creativity absorbed from their heroes from the scene and upload their own interpretation of existential Drum and Bass. Names such as these if you are not familiar:


1UNDREAD (2011)
AUX (2010)
BLACK REIGN RECORDINGS (2007)
DJ AZ (2006)
ELECTROMAGNETIC IMPULSES (2007)
EVERHAD (2001)
FOCALIZED (2010)
FRANKIE 303 (2011)
JAMES T /BLUESHIFT (2004)
KYLO (2007)
MR COCKTAIL 1 (2008)
NANAKIHOBS (2002)
RETURN TO MONO (2005)
SCREAMING FIELD (2010)
SPIRAL (2003)
SUBMATOMIC SOUND SYSTEM (2002)
WINTERMUT 3 (2009)
ZARBSONG (2008/2012)

FROM ONLINE MUSIC PLATFORMS LIKE THESE:

MP3.COM, 
SOUNDCLICK, 
ELECTRONIC SCENE/ ARTISTSERVER, 
EPINIONS, 
DNBNation

This section finally concludes THE DRUM AND BASS MASSIVE ATTACKS.
We will deal with the years from 2007-2103, and see how web 2.0 and the social network scene impacted on the already booming do-it-yourself music upload culture in the DnB scene.


Totality



[2007-2013]

 2007  PROTRACTION
[By this time the novelty of music upload had wore off, and the platforms were realising that it was time to get serious or is that paid with more relevant adverts.  How would the DnB massive respond?]

ARTIST: BLACK REIGN RECORDINGS
TRACK: SPIRAL PATH
PLATFORM: ARTISTSERVER/SOUNDCLOUD
LINK: http://www.artistserver.com/artist/song.cfm/a/14889/tid/17150
http://soundcloud.com/blackreignltd
MY COMMENTS: Treads carefully on Origin Unknown territory. Will take you on a journey back, and packed with loads of reverse snares and cymbals.

ARTIST: KYLO
TRACK: PSYCO CYCLE
PLATFORM: ARTISTSERVER
LINK: http://www.artistserver.com/artist/song.cfm/a/7613/tid/18275
MY COMMENTS: Doesn't really have the harsh metallic amen break roll as most of those on this list, but I thought I would add this because when I first listened to Kylo way back when, his stuff struck me as someone with the spirit of knowing what bits of songs and tracks they like but at the same time not letting it overtake their identity and ideal for how they want to sound. He defined independent artist for me around that 2006/7 period when I used to come on AS for some kicks. Be warned this isn't really Jungle or DnB, more beats, and breaks with the DnB spirit of whack, slap, cut up, mix, kill it. 


 2008  VERY MERCENARY
[social media had all but taken over the independent music online world, and it was left to each artist to create their own network, entourage or whatever for themselves]


ARTIST: MR COCKTAIL_1
TRACK: CREDIT CRUNCH ON THIS
PLATFORM: ARTISTSERVER
MY COMMENTS: Just look at the year and timing.  Just look at the song logo. Just listen to the intro sample. Just listen hear the scattergun kick and snares. Just take in the humor. Just indulge in how existential sample based, hip-hop influenced DnB can be on social issues Art of Noise style. 

ARTIST: ZARBSONG
TRACK: FX CREATION
PLATFORM: ARTISTSERVER / PERSONAL WEBSITE
MY COMMENTS:  Triplets timing on the drum machine everywhere.  A massive disaster. True drum and bass.  Think something of Amon Tobin's the Mission meets One Small Step and Moving Fusion.  Utimately the bassline acts as an undercurrent, and  doesn’t come in the foreground as its more about feeling the beats.

Fx Creation creates an atmosphere around the harsh beats. This is like Public Enemy's Bombsquad in Fear of A Black Planet mode on drum and bass.





 2009  TRUCE
[Enter the population of SoundCloud, if you didn't come across a Lady Gaga's DnB remix on SC, then you would enjoy the quality finds and feast on the waveforms]

ARTIST: WINTERMUT_3
TRACK: ARMOUR OF FAITH
PLATFORM: ARTISTSERVER
LINK: http://www.artistserver.com/artist/song.cfm/a/48/tid/20961
MY COMMENTS


   [AN INTERLUDE OF A CLASSIC REMIX]


 2010 DELIVERANCE
[multiple online platforms competing, multiple outlets = multiple choice]

ARTIST: FOCALIZED
TRACK: FOCAL
PLATFORM: ARTISTSERVER/SOUNDCLOUD
LINK: http://www.artistserver.com/artist/song.cfm/a/76/tid/23416
MY COMMENTS: (TO FOLLOW)


ARTIST: AUX
TRACK: PANN
PLATFORM: ARTISTSERVER
LINK: http://www.artistserver.com/artist/song.cfm/a/605/tid/23390
MY COMMENTS: (TO FOLLOW)


ARTIST: SCREAMING FIELD 
TRACK: REBEL HOMELESS PLUTONIUM 
PLATFORM: ARTISTSERVER
LINK: http://www.artistserver.com/artist/song.cfm/a/26613/tid/23636/Screaming_Field
MY COMMENTS: (TO FOLLOW)

ARTIST: 1UNDREAD
TRACK: CHRIST
PLATFORM: SOUNDCLOUD
LINK: 

MY COMMENTS: (TO FOLLOW)







2011  HEGEMONY
[10 years since Andy C's BodyRock, and the rapid emergence of rapid emergence of independent online artist]

ARTIST: FRANKIE 303
TRACK: PROJECT X 
PLATFORM: ARTISTSERVER
LINK: http://www.artistserver.com/artist/song.cfm/a/8245/tid/25354/FRANKIE_303
MY COMMENTS: (TO FOLLOW)






2012  SURVIVAL
[If Soundclouds creative commons and other features allowed a lot of claiming remixes of tunes, then authenticity and originality at large would be at risk. However this wasn't the case 1Undread of whom it marks 11 years since I first heard their stuff.  And their original idea lives on aggressively ]


ARTIST: ZARBSONG
TRACK: LFE DIRT
PLATFORM: ARTISTSERVER / PERSONAL WEBSITE
LINK: http://www.artistserver.com/artist/song.cfm/a/34054/tid/26679/zarbsong
MY COMMENTS: (TO FOLLOW)








  VICTORY?
2013


ARTIST: 1 UNDREAD
TRACK: AMAZON
PLATFORM: SOUNDCLOOUD
LINK: 

Rae Burnz


BACK FROM IRAQ: 4 REVERBNATION ARTISTS MUSIC AFTER THE WAR

BACK FROM IRAQ: 4 REVERBNATION ARTISTS RETURN FROM DARKNESS

(MUSIC AFTER THE WAR)













"The army has it's uses. in times of civil crisis."
GANG OF FOUR




You are presented here with four artists that served and came back from Iraq; 
the gang of four.

These bios contain the backgrounds of each artist’s position in their lives before they were deployed.  Some mention the posts they held and the impact it had on their music writing during and after their experiences.  Some went back for a second deployment while others had enough that first time.  That the music was made after their experiences in Iraq should leave it to the instruments not the artist's words to communicate to us the experience of..... ......BEING BACK FROM IRAQ!


“Vietnam, me love you long time. All day, all night, me loveyou long time. Dropping acid on the Mekong Delta, smoking grass through a riflebarrel, flying on a helicopter with opera blasting out of loudspeakers,tracer-fire and paddy-field scenery, the smell of napalm in the morning. Longtime.”
― Alex Garland, The Beach


 1#
[GSARGBEATZ]
[artist artwork]
ARTISTS: GSARGE BEATZ
TRACKS KNOWN FOR: JS REWARDS
GENRE: INSTRUMENTAL BEATZ
MILITARY RANK: SERGEANT
TIME SPENT IN THE ARMY: 8YRS

GSARGBEATZ, real name is Garry L. Brown (born, Sept, 30, 1980 in Houston, TX) son of gospel musical icon Anna Boney-Brown. Gsargbeatz one of Houston’s top music producers, he started making beats in 2005 while serving our country in the United States Army. Hence the name “Sarg”, Gsargbeatz served 8 years in the military along with 2 deployments oversea and 1 in Iraq. While deployed he spent his spare time mastering his craft producing and recording music. 

After serving 8 years Gsarg got out of the Army in 2008, ready to take his career to the next level. With much determination and success on his mind, he along with another partner started a production company called Black Trak Entertainment. Grinding from June 2005- June 2012 G Sarg has created a phenomenal street buzz, working on various underground records and has become a household name to many up and coming hip hop and r&b artist. 
LISTEN:

MY COMMENTS: Inexplicable dreadful sawtooth synth pitched down and gritty on JS rewards. Something early Mobb Deep would be proud of. Almost cinematic with the pads.
"O please God wake me." METALLICA




2#
   [FULL BIRD MUSIC]
[artist artwork]
ARTISTS: FULL BIRD MUSIC
TRACKS KNOWN FOR: SOLDIER'S TIME
GENRE: ALTERNATIVE
MILITARY RANK: UNKNOWN
TIME SPENT IN THE ARMY: 10YRS

As a recording musician, WES COSTELLO excels in creating outstanding music across many genres. Guitar player by trade and with 20 years playing experience, his guitar sounds run the gamut from Eric Clapton and John Mayer to Guns ‘n Roses and Metallica. Although well-rooted in rock and blues, Wes also composes cinematic, contemporary electro/orchestral music in the style of John Powell and Hans Zimmer, as his film specialties include action/suspense, drama, and martial arts genres.

In 2006, having spent nearly 10 years in the Army and spending quite a long time in Iraq, Wes had lost most of his musical knowledge bank because he was so long out of practice, and he decided to really dig in and make music his passion again. Spending nearly 2 years practically relearning everything he could about his instrument and music, while at the same time cultivating relationships that might be mutually beneficial in his musical career, in 2008 he broke through and became a session guitar player at Score Concept (www.score-concept.com).

After expanding his musical efforts, Wes ventured into film scoring and multimedia projects. He soon began writing small bits for feature-length movies such as the award-winning Eyeborgs; The Intruders; and Never Surrender. With this experience, he cultivated smaller, short-film projects on his own including the award-winning martial arts short, "Five Minutes Flat" (www.naqproductions.com) a student-produced film titled "HazMat," and a web series titled "Searching." 
MY COMMENTS: The pianos at the beginning sound as tense as Trent Reznor's work on The Social Network, but then the drums similar sounding to Michael Bay's The Rock kicks in before bowing out in video game guitar mode.
Woke up this morning desperation a.m






3# 
 [STEVE MOHACEY]
[artist artwork]
ARTISTS: STEVE MOHACEY
TRACKS KNOWN FOR: RETURN TO DARKNESS
GENRE: JAZZ NEW AGE
MILITARY RANK: UNKNOWN
TIME SPENT IN THE ARMY: UNKNOWN

STEVE MOHACEY was born in Munich, Germany, but calls Texas his home. Being an Army brat, his early childhood was marked with many moves. He grew up in San Antonio, where he attended high school. Steve began playing saxophone at age 12. He started college at North Texas State University, but finished at the University Of Texas at Austin in 1988 with a Bachelor of Music degree.
Steve was a member of the Disneyland All-American College Band in 1987, and was one of the Music Directors for Sea World of Texas in 1988. He taught high school band in East Texas, and then joined the Army band. He has played in bands with Peter Erskine, Bobby Shew, Bobby Mintzer, Adam Nussbaum, Diane Schuur and many others.

Steve's recording credits include "Mo in Seoul" with the Taste of Jazz quintet, "Monk Munch" with The Four Spot quartet, "Hip Hop Nation" with People Crew, "Sweet Lights, Sweet Music- LIVE!" with the Temple Jazz Orchestra, and most recently on "Baghdad Blues" with the Josh Distefano Quartet.

Steve has also played several shows, to include Five Guys Named Mo. He was a member of the UT Jazz Orchestra on the PBS special "Mirror Ballet", a four part jazz ballet which first aired in 1988. Having just returned from a yearlong combat tour in Baghdad, Iraq, Steve and his friends Josh Distefano, Chris Kerley, and Brian Archer are set to release 2 CD's of original jazz music which represents a musical diary of their experiences.
LISTEN:

MY COMMENTS: The encroaching opening notes remind me of the  - its about to be a thunder storm -  trumpets from Laurent Garnier's The Man With The Red Face.  And at times of 80'/90's Spike Lee films. I could see it fitting in with the soundtrack of Jarhead when it starts to get Jazzy but by the final third it kind of mellows out to fast movement, move your body tones that says it's not over till its over.
"I feel like a beetle on its back!" GANG OF 4




4#
[ARON LEE MARSHALL]
[artist artwork]
ARTISTS: AARON LEE MARSHALL
TRACKS KNOWN FOR: HEAVEN CAME DOWN
MILITARY RANK: MP
TIME SPENT IN THE ARMY: UNKNOWN

AARON LEE MARSHALL served from 2004-2005 in Baqubah Iraq as a Military Police Officer attached to the 1st Infantry Division. Originally in New Hampshires own ANG with the 2/197 Field Artillery unit, he was retrained as an MP and sent to the front lines. Divorce, PTSD and problems with Alcohol almost took his life before it began. But instead of giving up, he turned to music and released his debut album "Now Maybe" in late 2009 where it earned him a spot as one of the Top 5 Best-Selling Maine Artists in Down East Magazine.

It turned into a local phenomenon that perhaps saved his life. He then formed a band and began playing out at big venues like the Rochester Opera House and Boston's Hard Rock Cafe. Members included Alex Mills on percussion, Darren Finnegan on Bass, Scott Fleming on Lead Guitar and Scott Whittle on keys. Only a 2 months after the formation of the Aaron Lee Marshall Band as if was now called, he realeased a LIVE album called "Take it and Like it" (Named after a scene in a 1940's Humphrey Bogart movie).

Then he went into the studio to record his second studio album with Superior Media Group. He started searching out the best Maine Musicians around to help create the dream concept rock album he had been planning since his Tour of Duty in Baqubah, Iraq in 2004. Amazingly, he was able to get the licensing rights to use some material from the late comedian Bill Hicks who appeared on The Late Show with David Letterman 12 times. On his 12th appearance on the show he became the only performer to ever be completely censored and the entire act was cut from the show. Bill's passion for opening up peoples minds to the real truths in the world is why this album is named in his honor. "Its Just a Ride". Bill Hicks passed away of pancreatic cancer on Febuary 26th 1994. He was only 32 years old.
LISTEN: 

MY COMMENTS: Distorted guitars, howling wah wah feedback, grungy bass, the stuff war movies are made of.  The only track in this bunch that included lyrics, lyrics such as: 'Heaven came down for a time today, take me on a trip it's all the same / all the ones I really want to see will be dancing with the devil at the bottom of the sea.'  In Aaron's words: some real trippy rock. Just when you think it's over it goes into Kasabian's Empire anxious crescendo  strumming mode.

"Ought to control what I do to my mind
Nothing in there but sunshades for the blind"
GANG OF FOUR





Rae Burnz